Benjamin Moore Constellation vs. Sherwin Williams Frolic

We understand how important it is to remember the details. The colors, each with their own unique beauty and value, are truly special. It's important to note that the colors have different hues. Benjamin Moore AF-540 leans towards hues, while Sherwin Williams SW 6703 is .
Benjamin Moore AF-540 is more saturated than AF-540
They differ in their values, Benjamin Moore AF-540 radiating a lighter essence compared to SW 6703.

Supported paint brands for comparison: Behr, Benjamin Moore, Farrow and Ball, Dulux, Jotun, Little Greene, NCS, Ral Classic, Ral Design, Ral Effect, Sherwin Williams, Valspar, Tikkurila

Hue

189

51

Saturation

20

61

more saturated

Lightness

?Simple 0–100% measure derived from the min/max of the sRGB channels. It is not aligned with human visual perception - use CIE L* for perceptual lightness.

86

62

darker

LRV

?Light Reflectance Value measures the percentage of light reflected by a color. It ranges from 0 (absolute black) to 100 (pure white, all light reflected).

72.73

56.22

looks darker

CIE L

?Perceptual lightness.
Lightness value from CIE Lab color space.
Values from 0 (black) to 100 (diffuse white)

88.706

79.616

looks darker

Color difference ΔE*₀₀

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

27.423

Temperature:

Cool

Warm

↔

AF-540

Constellation

Benjamin Moore

Open color review

SW 6703

Frolic

Sherwin Williams

Open color review

Please note that the color shown on this page is a representation and might not exactly match the real shade of the cards, fan decks, or color collections. Your monitor, browser, and screen angle can all affect how the paint looks, so it may not be the same as what you see here. All information on this page is based on RGB and HEX values provided by manufacturers.

It's important to keep in mind that the same color may appear differently on various surfaces due to the nature of those surfaces. For example, the same shade will look different on a rough wall compared to the smooth surface of cabinets.

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