Benjamin Moore Through the Looking Glass vs. Benjamin Moore Coventry Gray

We understand how important it is to remember the details. The colors, each with their own unique beauty and value, are truly special. It's important to note that the colors have different hues. Benjamin Moore CSP-495 leans towards hues, while Benjamin Moore HC-169 is .
Benjamin Moore CSP-495 and HC-169 have pretty similar saturation.
Despite their differences, both colors share a similar value, Benjamin Moore CSP-495 radiating a lighter essence compared to HC-169.

Supported paint brands for comparison: Behr, Benjamin Moore, Farrow and Ball, Dulux, Jotun, Little Greene, NCS, Ral Classic, Ral Design, Ral Effect, Sherwin Williams, Valspar, Tikkurila

First color

Second color

Benjamin Moore Through the Looking Glass vs. Benjamin Moore Coventry Gray
Hue
0
90
Saturation
3
3
Lightness
?Simple 0–100% measure derived from the min/max of the sRGB channels. It is not aligned with human visual perception - use CIE L* for perceptual lightness.
75
72
darker
LRV
?Light Reflectance Value measures the percentage of light reflected by a color. It ranges from 0 (absolute black) to 100 (pure white, all light reflected).
51.04
48.18
looks darker
CIE L
?Perceptual lightness.
Lightness value from CIE Lab color space.
Values from 0 (black) to 100 (diffuse white)
76.56
75.255
looks darker
Color difference ΔE*₀₀
?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).
4.446
Temperature:
Neutral
Neutral
Living Room Interior walls comparison
Living Room Interior

Please note that the color shown on this page is a representation and might not exactly match the real shade of the cards, fan decks, or color collections. Your monitor, browser, and screen angle can all affect how the paint looks, so it may not be the same as what you see here. All information on this page is based on RGB and HEX values provided by manufacturers.

It's important to keep in mind that the same color may appear differently on various surfaces due to the nature of those surfaces. For example, the same shade will look different on a rough wall compared to the smooth surface of cabinets.

Color comparisons featuring Benjamin Moore Through the Looking Glass

Through the Looking Glass and S 2502-Y80R comparison

CSP-495 Through the Looking Glass vs S 2502-Y80R

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Through the Looking Glass and S 6502-R comparison

CSP-495 Through the Looking Glass vs S 6502-R

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Through the Looking Glass and S 2502-Y50R comparison

CSP-495 Through the Looking Glass vs S 2502-Y50R

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Through the Looking Glass and A la Mode comparison

CSP-495 Through the Looking Glass vs 2109-70 A la Mode

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Through the Looking Glass and Cloud White comparison

CSP-495 Through the Looking Glass vs OC-130 Cloud White

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Through the Looking Glass and Fading Fog comparison

CSP-495 Through the Looking Glass vs PR-W07 Fading Fog

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Through the Looking Glass and Stonington Gray comparison

CSP-495 Through the Looking Glass vs HC-170 Stonington Gray

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Through the Looking Glass and Heaven comparison

CSP-495 Through the Looking Glass vs 2118-70 Heaven

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Through the Looking Glass and Sterling Silver comparison

CSP-495 Through the Looking Glass vs 1461 Sterling Silver

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Through the Looking Glass and Dusty Cornflower comparison

CSP-495 Through the Looking Glass vs CSP-605 Dusty Cornflower

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Through the Looking Glass and Palace Pearl comparison

CSP-495 Through the Looking Glass vs CW-650 Palace Pearl

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Through the Looking Glass and S 4502-R comparison

CSP-495 Through the Looking Glass vs S 4502-R

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Through the Looking Glass and S 2502-R comparison

CSP-495 Through the Looking Glass vs S 2502-R

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Through the Looking Glass and Doily comparison

CSP-495 Through the Looking Glass vs CSP-130 Doily

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Through the Looking Glass and Nimbus comparison

CSP-495 Through the Looking Glass vs 1465 Nimbus

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Through the Looking Glass and Classic Gray comparison

CSP-495 Through the Looking Glass vs OC-23 Classic Gray

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Through the Looking Glass and Fashionable Gray comparison

CSP-495 Through the Looking Glass vs SW6275 Fashionable Gray

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Through the Looking Glass and Lavender Blue comparison

CSP-495 Through the Looking Glass vs 1438 Lavender Blue

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Through the Looking Glass and Porcelain comparison

CSP-495 Through the Looking Glass vs 2113-60 Porcelain

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Through the Looking Glass and Silver Chain comparison

CSP-495 Through the Looking Glass vs 1472 Silver Chain

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Through the Looking Glass and Stone comparison

CSP-495 Through the Looking Glass vs 2112-40 Stone

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Through the Looking Glass and Wet Concrete comparison

CSP-495 Through the Looking Glass vs 2114-40 Wet Concrete

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Through the Looking Glass and Knoxville Gray comparison

CSP-495 Through the Looking Glass vs HC-160 Knoxville Gray

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Through the Looking Glass and Sagebrush comparison

CSP-495 Through the Looking Glass vs CSP-770 Sagebrush

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Through the Looking Glass and Wild Mulberry comparison

CSP-495 Through the Looking Glass vs CSP-475 Wild Mulberry

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Through the Looking Glass and Mystic Lake comparison

CSP-495 Through the Looking Glass vs CSP-745 Mystic Lake

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Through the Looking Glass and Cosmopolitan comparison

CSP-495 Through the Looking Glass vs CSP-100 Cosmopolitan

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Through the Looking Glass and Wythe Blue comparison

CSP-495 Through the Looking Glass vs HC-143 Wythe Blue

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Through the Looking Glass and French Macaroon comparison

CSP-495 Through the Looking Glass vs CSP-335 French Macaroon

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Through the Looking Glass and Artifact comparison

CSP-495 Through the Looking Glass vs SW6138 Artifact

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Through the Looking Glass and Gray Huskie comparison

CSP-495 Through the Looking Glass vs 1473 Gray Huskie

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Through the Looking Glass and Silver Dollar comparison

CSP-495 Through the Looking Glass vs 1460 Silver Dollar

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Through the Looking Glass and Soho Loft comparison

CSP-495 Through the Looking Glass vs CSP-10 Soho Loft

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Through the Looking Glass and Lush comparison

CSP-495 Through the Looking Glass vs AF-475 Lush

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Through the Looking Glass and Storm comparison

CSP-495 Through the Looking Glass vs AF-700 Storm

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