Benjamin Moore Van Deusen Blue vs. Behr Studio Clay

We understand how important it is to remember the details. The colors, each with their own unique beauty and value, are truly special. It's important to note that the colors have different hues. Benjamin Moore HC-156 leans towards hues, while Behr MQ2-27 is .
Behr MQ2-27 is more saturated than Van Deusen Blue
They differ in their values, with Benjamin Moore HC-156 being darker.

Supported paint brands for comparison: Behr, Benjamin Moore, Farrow and Ball, Dulux, Jotun, Little Greene, NCS, Ral Classic, Ral Design, Ral Effect, Sherwin Williams, Valspar, Tikkurila

First color

Second color

Benjamin Moore Van Deusen Blue vs. Behr Studio Clay

Hue

210

Saturation

more saturated

Lightness

?Simple 0–100% measure derived from the min/max of the sRGB channels. It is not aligned with human visual perception - use CIE L* for perceptual lightness.

lighter

LRV

?Light Reflectance Value measures the percentage of light reflected by a color. It ranges from 0 (absolute black) to 100 (pure white, all light reflected).

11.97

61.36

looks lighter

CIE L

?Perceptual lightness.
Lightness value from CIE Lab color space.
Values from 0 (black) to 100 (diffuse white)

37.816

82.593

looks lighter

Color difference ΔE*₀₀

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

44.432

Temperature:

Cool

Warm

↔

HC-156

Van Deusen Blue

Benjamin Moore

Open color review

MQ2-27

Studio Clay

Behr

Open color review

Please note that the color shown on this page is a representation and might not exactly match the real shade of the cards, fan decks, or color collections. Your monitor, browser, and screen angle can all affect how the paint looks, so it may not be the same as what you see here. All information on this page is based on RGB and HEX values provided by manufacturers.

It's important to keep in mind that the same color may appear differently on various surfaces due to the nature of those surfaces. For example, the same shade will look different on a rough wall compared to the smooth surface of cabinets.