Dulux Misty Morning vs. Benjamin Moore Sea Salt

We understand how important it is to remember the details. The colors, each with their own unique beauty and value, are truly special. It's important to note that the colors have different hues. Dulux 08GY 32/058 leans towards hues, while Benjamin Moore CSP-95 is .
Benjamin Moore CSP-95 is more saturated than Misty Morning
Despite their differences, both colors share a similar value, with Dulux 08GY 32/058 being darker.

Supported paint brands for comparison: Behr, Benjamin Moore, Farrow and Ball, Dulux, Jotun, Little Greene, NCS, Ral Classic, Ral Design, Ral Effect, Sherwin Williams, Valspar, Tikkurila

First color

Second color

Dulux Misty Morning vs. Benjamin Moore Sea Salt

Hue

189

Saturation

more saturated

Lightness

?Simple 0–100% measure derived from the min/max of the sRGB channels. It is not aligned with human visual perception - use CIE L* for perceptual lightness.

lighter

LRV

?Light Reflectance Value measures the percentage of light reflected by a color. It ranges from 0 (absolute black) to 100 (pure white, all light reflected).

61.09

CIE L

?Perceptual lightness.
Lightness value from CIE Lab color space.
Values from 0 (black) to 100 (diffuse white)

77.951

83.212

looks lighter

Color difference ΔE*₀₀

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

9.797

Temperature:

Cool

Warm

↔

08GY 32/058

Misty Morning

Dulux

Open color review

CSP-95

Sea Salt

Benjamin Moore

Open color review

Please note that the color shown on this page is a representation and might not exactly match the real shade of the cards, fan decks, or color collections. Your monitor, browser, and screen angle can all affect how the paint looks, so it may not be the same as what you see here. All information on this page is based on RGB and HEX values provided by manufacturers.

It's important to keep in mind that the same color may appear differently on various surfaces due to the nature of those surfaces. For example, the same shade will look different on a rough wall compared to the smooth surface of cabinets.