Alternative colors to Setting Plaster from Benjamin Moore paint colors

We found 15 closest paint color matches to Setting Plaster from Benjamin Moore colors

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Farrow and Ball 231 Setting Plaster

h: 24, s: 22, v: 87

LRV: 58.01%

Benjamin Moore Milk Shake / 1165

ΔE*₀₀ = 0.93

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 23, s: 20, v: 86

LRV: 55.57%

more red
less saturated
darker
looks darker
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Open paint color Benjamin Moore Milk Shake / 1165

Benjamin Moore Georgetown Pink Beige / HC-56

ΔE*₀₀ = 1.17

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 25, s: 23, v: 87

LRV: 55.28%

more orange
more saturated
looks darker
Benjamin Moore Georgetown Pink Beige / HC-56
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Open paint color Benjamin Moore Georgetown Pink Beige / HC-56

Benjamin Moore Shorewood / 1151

ΔE*₀₀ = 1.29

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 26, s: 23, v: 88

LRV: 56.15%

more orange
more saturated
lighter
looks darker
Open color review
Open paint color Benjamin Moore Shorewood / 1151

Benjamin Moore Apricot Beige / 1205

ΔE*₀₀ = 1.42

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 24, s: 24, v: 89

LRV: 54.94%

more saturated
lighter
looks darker
Benjamin Moore Apricot Beige / 1205
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Open paint color Benjamin Moore Apricot Beige / 1205

Benjamin Moore Crossroads / 1226

ΔE*₀₀ = 1.76

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 22, s: 20, v: 85

LRV: 54.00%

more red
less saturated
darker
looks darker
Open color review
Open paint color Benjamin Moore Crossroads / 1226

Benjamin Moore Careless Whispers / 1214

ΔE*₀₀ = 2.02

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 24, s: 24, v: 91

LRV: 58.72%

more saturated
lighter
looks lighter
Open color review
Open paint color Benjamin Moore Careless Whispers / 1214

Benjamin Moore Groundhog Day / 1166

ΔE*₀₀ = 2.15

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 25, s: 24, v: 85

LRV: 50.59%

more orange
more saturated
darker
looks darker
Open color review
Open paint color Benjamin Moore Groundhog Day / 1166

Benjamin Moore Basking Ridge Beige / 1158

ΔE*₀₀ = 2.20

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 26, s: 19, v: 88

LRV: 59.18%

more orange
less saturated
lighter
looks lighter
Open color review
Open paint color Benjamin Moore Basking Ridge Beige / 1158

Benjamin Moore Burlap / 2163-50

ΔE*₀₀ = 2.23

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 28, s: 22, v: 85

LRV: 54.46%

more orange
same saturation
darker
looks darker
Open color review
Open paint color Benjamin Moore Burlap / 2163-50

Benjamin Moore Boudoir / AF-190

ΔE*₀₀ = 2.24

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 27, s: 20, v: 85

LRV: 54.99%

more orange
less saturated
darker
looks darker
Open color review
Open paint color Benjamin Moore Boudoir / AF-190

Benjamin Moore Nature's Symphony / 1152

ΔE*₀₀ = 2.32

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 27, s: 24, v: 85

LRV: 51.61%

more orange
more saturated
darker
looks darker
Open color review
Open paint color Benjamin Moore Nature's Symphony / 1152

Benjamin Moore Odessa Pink / HC-59

ΔE*₀₀ = 2.45

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 21, s: 18, v: 89

LRV: 59.46%

more red
less saturated
lighter
looks lighter
Benjamin Moore Odessa Pink / HC-59
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Open paint color Benjamin Moore Odessa Pink / HC-59

Benjamin Moore Raleigh Peach / CW-205

ΔE*₀₀ = 2.55

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 26, s: 20, v: 91

LRV: 62.65%

more orange
less saturated
lighter
looks lighter
Benjamin Moore Raleigh Peach / CW-205
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Open paint color Benjamin Moore Raleigh Peach / CW-205

Benjamin Moore Clementine Rose / 1219

ΔE*₀₀ = 2.98

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 24, s: 26, v: 85

LRV: 50.52%

more saturated
darker
looks darker
Open color review
Open paint color Benjamin Moore Clementine Rose / 1219

Benjamin Moore Cashmere Wrap / CSP-345

ΔE*₀₀ = 3.05

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

h: 24, s: 19, v: 82

LRV: 49.91%

less saturated
darker
looks darker
Open color review
Open paint color Benjamin Moore Cashmere Wrap / CSP-345

Please note that the color shown on this page is a representation and might not exactly match the real shade of the cards, fan decks, or color collections. Your monitor, browser, and screen angle can all affect how the paint looks, so it may not be the same as what you see here. All information on this page is based on HSV, LRV, RGB and HEX values provided by manufacturers.

It's important to keep in mind that the same color may appear differently on various surfaces due to the nature of those surfaces. For example, the same shade will look different on a rough wall compared to the smooth surface of cabinets.