Benjamin Moore Hint of Violet vs. Benjamin Moore White Opulence

The colors, each unique in their hue and saturation, embody their own individual beauty and value. It's important to note that the colors have different hues. Benjamin Moore 2114-60 leans towards hues, while Benjamin Moore OC-69 is .
Benjamin Moore OC-69 is more saturated than Hint of Violet
They differ in their values, with Benjamin Moore 2114-60 being darker.

Supported paint brands for comparison: Behr, Benjamin Moore, Farrow and Ball, Dulux, Jotun, Little Greene, NCS, Ral Classic, Ral Design, Ral Effect, Sherwin Williams, Valspar, Tikkurila

First color

Second color

Benjamin Moore Hint of Violet vs. Benjamin Moore White Opulence

Hue

Saturation

more saturated

Lightness

?Simple 0–100% measure derived from the min/max of the sRGB channels. It is not aligned with human visual perception - use CIE L* for perceptual lightness.

lighter

LRV

?Light Reflectance Value measures the percentage of light reflected by a color. It ranges from 0 (absolute black) to 100 (pure white, all light reflected).

66.18

87.67

looks lighter

CIE L

?Perceptual lightness.
Lightness value from CIE Lab color space.
Values from 0 (black) to 100 (diffuse white)

85.507

95.594

looks lighter

Color difference ΔE*₀₀

?CIE color difference.
Smaller is closer:
~0–1 (imperceptible),
1–2 (just noticeable),
2–5 (small difference),
5–10 (clear),
more than 10 (very different).

7.295

Temperature:

Warm

↔

2114-60

Hint of Violet

Benjamin Moore

Open color review

OC-69

White Opulence

Benjamin Moore

Open color review

Please note that the color shown on this page is a representation and might not exactly match the real shade of the cards, fan decks, or color collections. Your monitor, browser, and screen angle can all affect how the paint looks, so it may not be the same as what you see here. All information on this page is based on RGB and HEX values provided by manufacturers.

It's important to keep in mind that the same color may appear differently on various surfaces due to the nature of those surfaces. For example, the same shade will look different on a rough wall compared to the smooth surface of cabinets.