Benjamin Moore Through the Looking Glass vs. Benjamin Moore Revere Pewter

The colors, each unique in their hue and saturation, embody their own individual beauty and value. It's important to note that the colors have different hues. Benjamin Moore CSP-495 leans towards hues, while Benjamin Moore HC-172 is .
Benjamin Moore CSP-495 is more saturated than CSP-495
Despite their differences, both colors share a similar value, with Benjamin Moore CSP-495 is being darker.

Supported paint brands for comparison: Behr, Benjamin Moore, Farrow and Ball, Dulux, Jotun, Little Greene, NCS, Ral Classic, Ral Design, Ral Effect, Sherwin Williams, Tikkurila

First color

Second color

Benjamin Moore Through the Looking Glass vs. Benjamin Moore Revere Pewter
Hue
0
44
Saturation
3
15
more saturated
Lightness
?Simple 0–100% measure derived from the min/max of the sRGB channels. It is not aligned with human visual perception - use CIE L* for perceptual lightness.
75
76
lighter
LRV
?Light Reflectance Value measures the percentage of light reflected by a color. It ranges from 0 (absolute black) to 100 (pure white, all light reflected).
51.04
56.35
looks lighter
CIE L
?Perceptual lightness. Lightness value from CIE Lab color space. Values from 0 (black) to 100 (diffuse white)
76.56
79.923
looks lighter
Color difference ΔE*₀₀
?CIE color difference. Smaller is closer: ~0–1 (imperceptible), 1–2 (just noticeable), 2–5 (small difference), 5–10 (clear), more than 10 (very different).
7.324
Temperature:
Neutral
Warm

Please note that the color shown on this page is a representation and might not exactly match the real shade of the cards, fan decks, or color collections. Your monitor, browser, and screen angle can all affect how the paint looks, so it may not be the same as what you see here. All information on this page is based on RGB and HEX values provided by manufacturers.

It's important to keep in mind that the same color may appear differently on various surfaces due to the nature of those surfaces. For example, the same shade will look different on a rough wall compared to the smooth surface of cabinets.

Color comparisons featuring Benjamin Moore Through the Looking Glass

Through the Looking Glass and Artifact comparison

CSP-495 Through the Looking Glass vs SW6138 Artifact

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Through the Looking Glass and Gray Huskie comparison

CSP-495 Through the Looking Glass vs 1473 Gray Huskie

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Through the Looking Glass and Silver Dollar comparison

CSP-495 Through the Looking Glass vs 1460 Silver Dollar

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Through the Looking Glass and Soho Loft comparison

CSP-495 Through the Looking Glass vs CSP-10 Soho Loft

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Through the Looking Glass and Coventry Gray comparison

CSP-495 Through the Looking Glass vs HC-169 Coventry Gray

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Through the Looking Glass and Lush comparison

CSP-495 Through the Looking Glass vs AF-475 Lush

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Through the Looking Glass and Storm comparison

CSP-495 Through the Looking Glass vs AF-700 Storm

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Through the Looking Glass and Wool Peacoat comparison

CSP-495 Through the Looking Glass vs CSP-25 Wool Peacoat

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Through the Looking Glass and French Lilac comparison

CSP-495 Through the Looking Glass vs PPU16-10 French Lilac

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Through the Looking Glass and Mysterious Mauve comparison

CSP-495 Through the Looking Glass vs SW6262 Mysterious Mauve

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Through the Looking Glass and Niagara Blues 1 comparison

CSP-495 Through the Looking Glass vs 10BB 15/154 Niagara Blues 1

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Through the Looking Glass and Grayish comparison

CSP-495 Through the Looking Glass vs SW6001 Grayish

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Through the Looking Glass and Repose Gray comparison

CSP-495 Through the Looking Glass vs SW7015 Repose Gray

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Through the Looking Glass and Pebble Creek comparison

CSP-495 Through the Looking Glass vs 1453 Pebble Creek

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Through the Looking Glass and Genesis White comparison

CSP-495 Through the Looking Glass vs 2134-70 Genesis White

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Through the Looking Glass and Overcoat comparison

CSP-495 Through the Looking Glass vs CC-544 Overcoat

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Through the Looking Glass and Silver Fox comparison

CSP-495 Through the Looking Glass vs 2108-50 Silver Fox

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Through the Looking Glass and Abalone comparison

CSP-495 Through the Looking Glass vs 2108-60 Abalone

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Through the Looking Glass and Citrine comparison

CSP-495 Through the Looking Glass vs 71 Citrine

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Through the Looking Glass and Shoreline comparison

CSP-495 Through the Looking Glass vs 1471 Shoreline

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Through the Looking Glass and Blue Heather comparison

CSP-495 Through the Looking Glass vs 1620 Blue Heather

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Through the Looking Glass and Cotton Sheets comparison

CSP-495 Through the Looking Glass vs RD-W15 Cotton Sheets

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Through the Looking Glass and Misty Memories comparison

CSP-495 Through the Looking Glass vs 2118-60 Misty Memories

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Through the Looking Glass and Nimbus Gray comparison

CSP-495 Through the Looking Glass vs 2131-50 Nimbus Gray

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Through the Looking Glass and Piano Concerto comparison

CSP-495 Through the Looking Glass vs 1445 Piano Concerto

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Through the Looking Glass and Peignoir comparison

CSP-495 Through the Looking Glass vs 286 Peignoir

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Through the Looking Glass and Gray Owl comparison

CSP-495 Through the Looking Glass vs OC-52 Gray Owl

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Through the Looking Glass and Dash of Soot comparison

CSP-495 Through the Looking Glass vs 244 Dash of Soot

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Through the Looking Glass and Agreeable Gray comparison

CSP-495 Through the Looking Glass vs SW7029 Agreeable Gray

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Through the Looking Glass and Fusion comparison

CSP-495 Through the Looking Glass vs AF-675 Fusion

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Through the Looking Glass and Calm comparison

CSP-495 Through the Looking Glass vs OC-22 Calm

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Through the Looking Glass and Chantilly Lace comparison

CSP-495 Through the Looking Glass vs OC-65 Chantilly Lace

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Through the Looking Glass and Antique Pearl comparison

CSP-495 Through the Looking Glass vs 2113-70 Antique Pearl

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Through the Looking Glass and Stormy Monday comparison

CSP-495 Through the Looking Glass vs 2112-50 Stormy Monday

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Through the Looking Glass and Wisteria comparison

CSP-495 Through the Looking Glass vs AF-585 Wisteria

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Through the Looking Glass and Gray Timber Wolf comparison

CSP-495 Through the Looking Glass vs 2126-50 Gray Timber Wolf

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